RUBY HARROP discusses the developments of UCL’s Fossil Free as part of a wider campaign to promote divestment from the fossil fuel industry and reinvest in renewable energy.  UCL publicly states in its ‘Green Environmental Sustainability Policy’ that it is committed to conducting itself ‘ethically and fairly, and in an environmentally sustainable manner, locally, nationally and globally.’ Simultaneously, it invests £12.1 million in the fossil fuel industry, including companies such as Shell, BP and Rio Tinto. The disparity is shockingly hypocritical. Why would an institution completely undermine its purported sustainable, ethical values in its funding from companies that danger human health and the environment? Climate change is fast escalating into a global problem that inflicts the most malicious harm on those most vulnerable. The sea level rise that results in severe flooding and storms, agriculture deterioration and damage to human health affect a disproportionate amount of the the world’s poorest populations in the Global South. I need…Continue Reading

UCL: Fossil Fools

SELMA REZGUI reviews The Sea at the Camden People’s Theatre. ‘Waiting for a connection.’ I’ve often joked that the tinny and plaintive voice that comes out of my Bluetooth speaker when I try to hook it up to my phone is a tragically relatable symbol of urban millennial life. In his latest play, Thomas Froy uses this same tinny voice to expose an epidemic of loneliness, reliance on technology, and of being alone in a sea of people – and how the only meaningful connection in a person’s life can sometimes be their internet connection.  This sparse production, which Froy also directs, interrogates the nature of urban isolation in a digital age. It opens with a film projected onto the theatre’s back wall: a series of shots of London, both images of the City and the pockets where nature seems to be tentatively reclaiming the space, rendered in muted tones and accompanied by immersive music. The…Continue Reading

The Sea

ISABEL WEBB speaks to Raniyah Qureshi, the founder of AWOMENfest, a three day feminist art festival that launches this month. Picture the scene: nestled in a DIY arts venue in Peckham, a group of rugby lads sit around a table to discuss the relationship between tears and feminism with The Colour of Madness Project. In the next room, more of these men – stereotypically masculine and disengaged – compare notes on the artwork of Damaris Athene and Fee Greening, whilst others, perched in the zine corner, soak up the atmosphere and contemplate the body positive life drawing session they just attended. This is AWOMENfest founder Raniyah Qureshi’s ideal for the new feminist festival. “The people you want to come the most are not the ones who are already engaged. In my dreamworld, the room would be full of rugby lads who don’t give a shit.” This might seem like a…Continue Reading

AWOMENfest: Radically Soft

Assistant Director GEORGIA GEE tells us what to expect at UCL’s 2018 dance showcase, Exhibition This year, UCL’s Dance Society has gone beyond the traditional notions of movement to create a show that takes inspiration from a variety of artistic forms. Exhibition celebrates the fusion of dance with other creative media, such as literature and visual art. The show’s three motifs, ‘The Written,’ ‘The Visual,’ and ‘The Object,’ required choreographers to create a dance stemming from a source of artistic inspiration, such as a poem, a painting or even just a commonplace object. Back in November, after presenting our concept, I could never have expected the diversity and multiplicity of bids we would receive. From a re-enactment of Picasso’s Guernica as a tap piece, to the translation of sign language into contemporary movement, the ideas were innovative and thorough. Since then, choreographers have used their initial stimuli to create and…Continue Reading

Exhibition

DANIEL LUBIN interviews NICK FERRIS and LOVIS MAURER about UCL Drama Society’s upcoming production of Electra. The 5th century BC, Ancient Greece. The 1970-80s punk rock scene. 2018. UCL Drama Society’s upcoming production of Sophocles’ Electra will merge ancient Greek tragedy with the iconic era of punk rock. I spoke to producer Nick Ferris and director Lovis Maurer about the marrying of these two periods, and about rebellion in the past, the present, and the play itself. The team originally picked the play for all the potential that Greek drama holds, and its adaptability. “The way they’re still so powerful,” Nick says, “is that they discuss timeless themes”, something undeniably true given the quantity of ancient Greek drama on the current London stage. “In this way they really lend themselves to reinterpretation in exciting and effective ways”. “I always found an interesting epic nature that all Greek plays have and I like that…Continue Reading

Electra Interview

SAVAGE Sounds presents ‘Mental Health’, the second podcast from George Horner and Alizay Agha. In this mental health-themed edition of the podcast, we hear from Comparative Literature student Charley Katan, who reads some of her poetry and discusses how she channels her relationship with mental health through her work. We also speak to Lissa Eve Darby and Harriet Cooney from the SANE UCL Black Dog Campaign. SANE is a leading UK mental health charity that seeks to improve the lives of anyone directly or indirectly affected by mental illness. The Black Dog Campaign is SANE’s UCL anti-stigma campaign, and battles to demystify the stigma around mental health. For more information, see the SANE Website, Black Dog Campaign Facebook page and UCL: Fund Our Mental Health Facebook page. UCL Psychological Services were contacted but declined to comment.    Other services available are: Samaritans Helpline: 116 123 UCL Psychological Services  London Nightline:  020 7631 0101 For a full list of mental health helplines,…Continue Reading

PODCAST: MENTAL HEALTH

ALEX RUSSELL looks at the darker side of Grindr. Grindr has allowed members of the gay community to connect in ways that had never before been possible. It might still be difficult for them to express their sexuality to friends, family or the general public, but gay men have reached out to each other in this virtual space. Yet many of the ugly realities of Grindr and similar dating apps remain obscured: they introduce a whole new dimension of problems that can be encountered when interacting with others. One of the most damaging aspects of this app is its generation of an unhealthy vicious cycle of instant gratification. With Grindr, sex has never been so easy obtainable. A hook-up, sex or even date can be literally 5 feet away. While this is certainly used (or abused) by some, it creates a cycle where you become stuck in constantly deleting and…Continue Reading

Grindr: Beware

SOPHIE CUNDALL reviews Medea Electronica at Ovalhouse. Pecho Mama’s Medea Electronica is a triumph. Euripedes’ tale of a woman scorned, pushed to the very limits of the human to verge on the bestial and monstrous, leaves us reeling; despite Medea’s vile actions, we remain – somehow – sympathetic. A musicalised punch in the face, driven to its horrifying conclusion by a cacophony of clicking and whirring that confirms, just as Dorothy was no longer in Kansas, we are no longer in Ancient Greece. That Euripedes’ age-old tale can even move us within the context of an ‘80s prog rock gig is testament to the universality of its themes; it is a radical transformation, but one that is extraordinarily effective. Indeed, the trinity of artists entering the stage before the lights go down, as we are plunged unrelentingly into Medea’s story, establishes that this will be a very powerful (if quirky) performance indeed. It was…Continue Reading

Medea Electronica

OLIVIA WARD JACKSON explores gendered agency in Jane Eyre, relating it to contemporary debate on sexual misconduct in the workplace.  This year, Brontë lovers will pay further homage to their literary idols, as the five-year long anniversary of the Brontë’s bicentenary continues. The names Jane Eyre and Mr. Rochester have been eternalised through their defiant, soul-wrenching romance – however, it is important to recognise that that Jane Eyre is not just another Victorian romp, but a text championing liberty and equality that still retains its political potency today. Jane Eyre can offer prudent insight into the current dispute amongst feminists regarding sexual misconduct in the workplace, brought to light by the #MeToo movement. Let’s start with an acknowledgment of what all feminists share; a disgust for sexual abuse and violent threats. There is currently worldwide debate regarding what kinds of behaviour should be condoned within the workplace (of course, remaining impartial to the sexuality or gender of the perpetrator).…Continue Reading

Jane Eyre and ‘The Right to Pester’

CHLOE TYE interviews Natalie Haynes about Aristophanes’ comedy Lysistrata On meeting Natalie Haynes, one of the first things that struck me is the speed at which brain her works, and for the remaining time I attempted to keep up with her as best I could. This article is a result of half an hour spent in her company, during which my brain was thoroughly exhausted. I want to extend a thank you to Haynes for taking the time to participate in this interview. After completing a degree in Classics at Christs College, Cambridge, Natalie Haynes went on to pursue a career in comedy, having been a member of Cambridge University Footlights Dramatic Club. In addition, she is now a writer, both as a journalist for the Guardian and the Independent and as an author of fiction and non-fiction, as well as a regular contributor for BBC Radio 4.  With her experience…Continue Reading

Lysistrata Interview – Natalie Haynes

ROSEMARY MOSS reviews the multi-musician interpretations of House of Monteverdi at Spitalfields Music Festival Starting at 5 and wrapping up at 9.30, the first event of the Spitalfields Music festival was a festival in itself. Yet the range of the line-up, the colossal talent of the musicians and the celestial quality of the sound meant the evening sailed by. The main event of the festival was truly the House of Monteverdi. While the performance did not exclusively feature Monteverdi’s own compositions, he was the musical patriarch, shaping the selections of the modern compositions which interspersed the full performance of his Eighth Book of Madrigals. These madrigals, performed here by the Erebus ensemble, La Nueva Musica and soloists Katherine Manley, Ben Johnson and Magnus Walker, all centred on the tempestuous theme of “Love and War”. From the opening solemn chords of the choir, the audience was enveloped in the turmoil of…Continue Reading

House of Monteverdi

IMOGEN GODDARD explores the complexities of translating from book to film, and the ways in which these media can work in tandem. Books are always better than their screen adaptations, right? This is what the literary world tells us, but perhaps the answer to that questions should be: well, maybe. The effectiveness of this intersection has always been an interesting topic of discussion, but has become more and more relevant in recent years with the increasing prominence of films and television in our culture.  There are some terrible films created from brilliant books, but is this immediate (and in all honesty, slightly snobbish) reaction always valid?  Let’s properly examine whether too much of a book is lost in its screen version, in which case we can toss it aside without a second glance, or if successful adaptations really can be created.  Of course, there is a degree of subjectivity in this…Continue Reading

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