WILL FERREIRA DYKE reviews Channel 4’s Grayson’s Art Club. I started 2020 full of anticipation for numerous exhibitions showing across London. From Yayoi Kusama’s Infinity..
SOPHIE CUNDALL discusses theatre, intimacy, and the virtual stage. TW: sexual assault. Theatre requires intimacy. Theatre is intimacy. By definition, theatre is intimate. Whether it..
FRANCESCO D’ALESSIO reflects on the burial crisis and identity loss in the contemporary city. Cemeteries and graveyards resemble cities and villages. Graves are like buildings..
MARIA PERSU contemplates her discovery of Nordic environmentalist art. I arrived in Helsinki on Midsummer Night, a celebration where Finns light up huge bonfires and..
ASIA CHOUDHRY reviews Olafur Eliasson’s In Real Life at the Tate Modern. Scrolling through Instagram one day during summer, I stumbled upon pictures of my..
ISABELLE OSBORNE reviews A Clockwork Orange at Bloomsbury Theatre. Performed by the UCL Drama Society in collaboration with Film Society, A Clockwork Orange captures the..
ELLIE LACHS reviews Faithful Creatures at Camden People’s Theatre. Isobel Macleod’s Faithful Creatures, directed by Evie Robinson, is a revelation. It bravely strides away from..
SOPHIE CUNDALL interviews the director and producer of the upcoming production of A Clockwork Orange at the Bloomsbury Theatre. Since March last year, Srishti Chakraborty (Director)..
MARTA BIINO considers the sustainability of food consumption and waste production. Addressing social and environmental issues is a growing trend in the contemporary art world...
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