ENERZAYA GUNDALAI reflects on the role of technology in art through the Saatchi Gallery’s most recent exhibitions. Nothing can escape the glare of blue light in our digital age. Blue light emanates from every computer, smartphone and television screen. Most will agree that these technologies have become inseparable from our daily existence. Contemporary art has kept pace with these developments. At the Saatchi Gallery, Georgii Uvs utilised ultraviolet (UV) light as a central component in his arwork; within a neighbouring exhibition space, the digital art studio and collective Marshmallow Laser Feast employed virtual reality (VR) headsets in their installation, We live in an Ocean of Air. Both artist and art collective manipulated light through the vehicle of technology in order to shift (and to some extent, control) the viewer’s perspective. Was it the artists’ aim in their use of artificial light to illuminate the direction of fine art in the…Continue Reading

Bluelight

MAILI NEGI iterates the Swiss Passport Office art experience at Galerie Thaddeaus Ropac. Tom Sachs’ 24-hour live art installation, Swiss Passport Office, gave privileged art enthusiasts a watered-down experience of applying for citizenship to a foreign country. Sachs chose to imitate the issuing of Swiss passports because, to him, Swiss citizenship is ‘the ultimate status nationality, representing wealth, neutrality, and freedom.’ By handing out Swiss citizenship for 20€, Sachs symbolically sold the right to travel freely (without a visa) to many counties. When asked about the experiential installation he declared, ‘I am making the world not the way it is, but the way I want it to be. I want everyone to have the most prestigious passport in the world so they can travel and trade freely’. In today’s political climate this is a statement heavy with meaning. His installation alludes to major social and political issues such as the…Continue Reading

Tom Sachs: Worlds Without Borders