ANNABELLE BRAND explores Robert Eggers’ maritime horror, The Lighthouse, through an examination of the texts which influenced it. ‘A thousand thousand slimy things lived on—and so did..
BRUNO REYNELL reviews Ari Aster’s genre-defying Midsommar. Were it not for its overt title, the gloomy snow-filled landscapes that open Midsommar might tempt us into thinking..
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