PHYLLIS AKALIN reviews Xavier Dolan’s eighth feature film, Matthias et Maxime. Xavier Dolan’s eighth film readopts many of the themes highlighted in his former works (Mommy, 2014, Laurence Anyways, 2012): the question of identity and sexuality, complicated mother-son relationships, and, most importantly, friendship. Yet, the repetition of these recurrent themes does not render their depiction any less sincere and raw. The film starts with a group of male friends in their early thirties spending the weekend together in a cottage by a lake in Québec. Erika, the sister of one of the friends, is directing a short movie for her film studies and needs two actors. Matthias and Maxime, close friends since childhood, reluctantly agree to help her without knowing that the scene requires that they share a kiss. After initially reacting with shock upon receiving instruction of this stage direction, they awkwardly assure Erika that the kiss does not pose a problem.…Continue Reading

Matthias et Maxime