IÑAKI IRIARTE discusses the nature of reality and spectatorship as explored through Michael Haneke’s film Code Unknown (2000). Mainstream cinema tries to feed you the..
LYDIA DE MATOS reviews Olivier Assayas’s latest film Non-Fiction. Concerned primarily with questions of the transition of media into the digital age, Non-Fiction (2019) is a..
THOMAS NGUYEN revisits François Ozon’s 2005 film Time to Leave. At the height of his career as a fashion photographer in Paris, thirty-year-old Romain (Melvil Poupaud) is..
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