TOMI HAFFETY reviews Rian Johnson’s latest release Knives Out. Knives Out is a refreshing, modern and utterly witty whodunnit which reclaims the tired genre and gives..
THOMAS NGUYEN revisits François Ozon’s 2005 film Time to Leave. At the height of his career as a fashion photographer in Paris, thirty-year-old Romain (Melvil Poupaud) is..
BRUNO REYNELL reviews Ari Aster’s genre-defying Midsommar. Were it not for its overt title, the gloomy snow-filled landscapes that open Midsommar might tempt us into thinking..
LYDIA DE MATOS reviews The Favourite, Yorgos Lanthimos’ unruly take on the period piece. The Favourite is an intense deconstruction of what audiences have come..
MAEVE ALLEN reviews Widows, an unnerving heist thriller with feminist overtones. When four career criminals are killed in an attempted robbery, their widows take up..
THOMAS NGUYEN reviews M/M as part of SAVAGE’s coverage of Fringe! Queer Film & Arts Festival. Drew Lint’s M/M is a modern-day tale of obsession. It follows..
THEO MERTEN-MANCER reviews The Accountant of Auschwitz, a documentary about the recent trial of Oskar Gröning, a surviving member of the SS. A study released on..
HEATHER DEMPSEY reviews The Daughters of Fire as part of SAVAGE’s coverage of Fringe! Queer Film & Arts Festival. In The Daughters of Fire, Albertina Carri reimagines..
NIAMH O’NEILL reviews Wild Nights with Emily as part of SAVAGE’s coverage of Fringe! Queer Film & Arts Festival. Completely subverting the clichés surrounding its eponymous..
