THOMAS NGUYEN interviews Sharon Yip and Magda Tchorek-Bentall, the director and curator of UCL Anatomy Society’s first-ever art exhibition, Disjointed Anatomies. On Saturday 2nd March, the UCL Anatomy Society will be holding its first-ever art exhibition around the theme: ‘Disjointed Anatomies’. For an entire day, the South Cloisters will transform into a curated display of intersectional works from student of all academic backgrounds. Each artwork will showcase a unique interpretation of the anatomical body. Sharon (Exhibition Director) and Magda (Curator) share their thoughts: Talk me through your roles in organising Saturday’s exhibition. Sharon: We started this project last year when I was elected exhibition director at the AGM of the Anatomy Society. This role did not exist before so I’ve had the freedom to make it – just like the exhibition – largely what I wanted it to be. I started thinking about it in June last year and the concept…Continue Reading

Disjointed Anatomies

KRISTIE LUI examines works from Hyon Gyon’s solo exhibition at the Parasol Unit Foundation for Contemporary Art. Scorched holes in fabric reveal layers of burnt turpentine in Hyon Gyon’s thick impasto paint. Her subjects are abstract and emotional. They manifest in an explosive portrayal of energy which combines the use of Korean textiles, Japanese paper, and haunting symbolism. Hyon Gyon is a South Korean painter who received her doctorate from the Kyoto City University of Fine Arts, before going on to practice in New York City in 2013 where she began her indefinite residency. Encompassing two floors in the minimalist space at London’s Parasol Unit Foundation for Contemporary Art, her work comprises of both two and three-dimensional artworks. Gyon’s compositions produce colourful motifs of spirits and demons proliferating ceaselessly across an abstract background. Her works often bridge imageries of the spirit world of Korean or Japanese shamanism, with the human…Continue Reading

Incarnate

ENERZAYA GUNDALAI critiques Videogames: Design/Play/Disrupt at the Victoria and Albert Museum. Museums are special places of worship for me. Walking through the European temple-like halls and devoting two hours to a single porcelain jar in the Rijksmuseum, for example, is a joyous experience. Contemplating the reasons as to why curators have placed such objects alongside each other is fascinating. Hence, when I visited the Victoria and Albert Museum (V&A) to see the ongoing exhibition Videogames: Design/Play/Disrupt, I was ready for an informative, yet playful showcase of a sentimental part of my childhood. I was curious to see how the world’s leading museum of art and design, which houses artworks and artefacts spanning over 5,000 years of human history, would frame these modern-day platforms of entertainment. Seeing how the V&A might add to the growing culture of artistic production within video games is an exciting opportunity for viewers and curators alike.…Continue Reading

All Work and No Play

MARCELA KONANOVA reviews Modern Couples: Art, Intimacy and the Avant-garde at the Barbican Art Gallery. Laced with elements of originality, Modern Couples: Art, Intimacy and the Avant-garde offers a unique insight into intimacy in relationships. Paramount figures in European Modern Art explores the bonds that negotiate their creative processes. As opposed to many current exhibitions devoted to the development of a work of a single artist, Modern Couples understands art production as an organic process fuelled by the human connection. The rise of Modernist art styles from the late-19th to mid-20th century is seen as the product of the inevitable collaboration and influence rather than the product of a solo genius. ‘Couple’ is an elastic term encompassing all manner of intimate relationship that the artists themselves grappled with. It was not defined exclusively as monogamous, but inclusive of polyamory, friendship, or any relationship defined by devotion. Each couple brings to…Continue Reading

Love Making Art

INNOKA BARTLETT interviews co-curator of Bahrain Art Week 2018, Kaneka Subberwal. Kaneka Subberwal’s elegant articulations of thought, as revealed in this interview, was reflected in her recent co-curation of Bahrain Art Week 2018. The founder and co-curator of Art Select and Bahrain Art Week discussed the depth and intricacies of ‘Accumulation: Legacy and Memory’, the title and theme of the exhibition. This idea of accumulation unfolded throughout the exhibition, as artworks explored concepts of built up legacies of loss, and the memories of traditional as well as contemporary Bahrain. Kaneka founded Art Select in 2008, an art consultancy and creative platform. ArtBAB (Art Bahrain Across Borders) is Art Select’s flagship enterprise. It is an annual art fair that is aimed at exhibiting Bahrain’s Modern Art movement, tracing its development over the past 50 years. Bahrain Art Week is a project which was generated under ArtBAB. It seems to be cumulative…Continue Reading

The Legacies and Memories of Bahrain

BEATRICE KANIKA TECHAWATANASUK compares the artistic styles of Klimt and Schiele in the exhibition ‘Klimt / Schiele: Drawings from the Albertina Museum, Vienna’ at the Royal Academy of Arts, London. The Royal Academy exhibition of Gustav Klimt and Egon Schiele’s work marks the centennial commemoration of their craft. Both artists were modernists, secessionists, and expressionists who challenged convention and form. They distorted the body in a way never seen before. This exhibition offers an intimate glimpse into their rare and fragile drawings. More significantly, it allows one to observe the artistic influence the seminal Austrian artists had on each other, demonstrating the intimacy of a master-protégé relationship. The exhibition is organised thematically. Within each theme, the works of both artists juxtapose each other in subtle ways, inviting the viewer to make comparisons. Yet, despite their differences, it is undeniable that Klimt and Schiele’s works are strikingly harmonious. As you walk along…Continue Reading

Bodily Sovereignties