INNOKA BARTLETT interviews artist Aysha Almoayyed regarding her exhibition piece at the ArtBAB Pavilion. Aysha Almoayyed’s Lost Paradise was showcased at the 2019 Art Bahrain Across Borders (BAB) Pavilion as part of Bahrain’s International Art Fair that took place in March – Manama, Bahrain. Displayed in the pavilion were selected works by thirty of the most creative Bahraini artists. Born in 1988 in Manama, Bahrain, Aysha Almoayyed studied Marketing at Bentley University. She then completed her MFA in Fine Art at Goldsmiths University. Experimenting with mediums including drawing, photography, and installation her artworks explore societal forces in Bahrain and the transformation of the artificial and natural environment. Almoayyed is the youngest recipient of the most renowned art award in Bahrain, the Al Dana Prize. She shares her opinions on contemporary art in Bahraini culture: –Your work is featured in the ArtBAB Pavilion – what is your interpretation of this idea of ‘Bahrain Across Borders’, and how…Continue Reading

In Conversation with Aysha Almoayyed

ENERZAYA GUNDALAI reflects on the role of technology in art through the Saatchi Gallery’s most recent exhibitions. Nothing can escape the glare of blue light in our digital age. Blue light emanates from every computer, smartphone and television screen. Most will agree that these technologies have become inseparable from our daily existence. Contemporary art has kept pace with these developments. At the Saatchi Gallery, Georgii Uvs utilised ultraviolet (UV) light as a central component in his arwork; within a neighbouring exhibition space, the digital art studio and collective Marshmallow Laser Feast employed virtual reality (VR) headsets in their installation, We live in an Ocean of Air. Both artist and art collective manipulated light through the vehicle of technology in order to shift (and to some extent, control) the viewer’s perspective. Was it the artists’ aim in their use of artificial light to illuminate the direction of fine art in the…Continue Reading

Bluelight

ETHAN BURTON looks at the highlights from UCL MODO Fashion Society’s The Countdown Fashion Show. UCL MODO Fashion Society presented its first main show of the year, The Countdown Fashion Show, a collaboration with UCL Climate Action Society focusing on sustainability and the notion that ‘anything is possible.’ The palette of talent offered such designs; collections had consistently strong concepts, and each look revealed a fresh insight into the future of fashion. The clothes presented were either upcycled or produced of recycled materials, yet the garments appeared as if new. It called to remind us that we can no longer excuse our practices and lack of mindfulness towards the way we treat waste. One common theme threaded through many of the designs was a focus upon comfort. Designs all aimed to facilitate the wearer’s movement. This basis was spotted in the casual and utilitarian designs reproduced the double denim and…Continue Reading

MODO: Thread Count, Countdown