ENERZAYA GUNDALAI presents the highlights of UCL MODO Fashion Society’s 2019 Show: SENSES. Under the railway vaults of London’s Steel Yard, SENSES showcased MODO’s latest designs. But I, along with the enchanted crowd, was met with more than just clothes; otherworldly beings seemed to surface, governing the living realm for a moment or two. Nathan Vandevelde opened with his two-part exuberant series entitled ‘Spirit Jungle’ and ‘Spirit Jungle pt 2.’ Ethereal sea nymphs took their first steps on land in ‘Spirit Jungle’. They moved gracefully across the runway. Four drag queens with their airy gowns and delicate face masks were prominent features in ‘pt. 2.’ Their bodies were spotlit and dressed in shimmery, figure-hugging tunics. Vandevelde’s tribute to the LGBTQ+ community was both empowering and spectacular in kaleidoscopic ways. While ‘Spirit Jungle’ was dramatic and provocative, it was Vandevelde’s line ‘Soul Searchers’ that made its appearance during the second half…Continue Reading

Sense Me

ESTELLE CIESLA discusses dematerialisation in Yves Klein’s International Klein Blue (IKB). An unframed, unwavering blue painting stands before you. As you stare at the painting, the square of colour slowly detaches itself from its canvas medium, drifting through the air. All at once, blue envelops you, permeates you. Chills crawl under your skin. The ultramarine induces a state of vertigo. An endless, deep, and obsessive ultramarine possesses you; its saturation stains your mind. My first encounter with a Yves Klein painting was decidedly dramatic. Encountering his painting in his hometown of Nice, France, my fascination with the strong, vivid blue was instantaneous. I speak about a specific blue: blue #21177d, otherwise known as International Klein Blue (IKB). The colour is distinctive; once seen, IKB will stay in your mind. The vivid ultramarine became Klein’s signature. The holistic feeling of Klein’s work is palpable every time I come across one of…Continue Reading

Dip-Trip

THOMAS NGUYEN interviews Sharon Yip and Magda Tchorek-Bentall, the director and curator of UCL Anatomy Society’s first-ever art exhibition, Disjointed Anatomies. On Saturday 2nd March, the UCL Anatomy Society will be holding its first-ever art exhibition around the theme: ‘Disjointed Anatomies’. For an entire day, the South Cloisters will transform into a curated display of intersectional works from student of all academic backgrounds. Each artwork will showcase a unique interpretation of the anatomical body. Sharon (Exhibition Director) and Magda (Curator) share their thoughts: Talk me through your roles in organising Saturday’s exhibition. Sharon: We started this project last year when I was elected exhibition director at the AGM of the Anatomy Society. This role did not exist before so I’ve had the freedom to make it – just like the exhibition – largely what I wanted it to be. I started thinking about it in June last year and the concept…Continue Reading

Disjointed Anatomies

KRISTIE LUI examines works from Hyon Gyon’s solo exhibition at the Parasol Unit Foundation for Contemporary Art. Scorched holes in fabric reveal layers of burnt turpentine in Hyon Gyon’s thick impasto paint. Her subjects are abstract and emotional. They manifest in an explosive portrayal of energy which combines the use of Korean textiles, Japanese paper, and haunting symbolism. Hyon Gyon is a South Korean painter who received her doctorate from the Kyoto City University of Fine Arts, before going on to practice in New York City in 2013 where she began her indefinite residency. Encompassing two floors in the minimalist space at London’s Parasol Unit Foundation for Contemporary Art, her work comprises of both two and three-dimensional artworks. Gyon’s compositions produce colourful motifs of spirits and demons proliferating ceaselessly across an abstract background. Her works often bridge imageries of the spirit world of Korean or Japanese shamanism, with the human…Continue Reading

Incarnate

ENERZAYA GUNDALAI critiques Videogames: Design/Play/Disrupt at the Victoria and Albert Museum. Museums are special places of worship for me. Walking through the European temple-like halls and devoting two hours to a single porcelain jar in the Rijksmuseum, for example, is a joyous experience. Contemplating the reasons as to why curators have placed such objects alongside each other is fascinating. Hence, when I visited the Victoria and Albert Museum (V&A) to see the ongoing exhibition Videogames: Design/Play/Disrupt, I was ready for an informative, yet playful showcase of a sentimental part of my childhood. I was curious to see how the world’s leading museum of art and design, which houses artworks and artefacts spanning over 5,000 years of human history, would frame these modern-day platforms of entertainment. Seeing how the V&A might add to the growing culture of artistic production within video games is an exciting opportunity for viewers and curators alike.…Continue Reading

All Work and No Play