SOPHIE CUNDALL reviews Pandora’s Door’s ‘Zeus on the Loose’ at Fire, Vauxhall. This article contains references to racism, homophobia and ableism. Selling itself as a..
MADDIE DUNN reviews Lesley Storm’s play Black Chiffon at the Park Theatre. Lesley Storm’s three-act play Black Chiffon has rarely been performed in the UK since..
Sophie Parker reviews Cora Bissett’s autobiographical play at Soho Theatre. Thousands of musicians have nearly made it, only to be forgotten seconds after they crash..
SOPHIE CUNDALL reviews UCL Drama Society’s Romeo and Juliet. From the moment you walk in through the creaking doors of the 19th century gothic church..
NICK FERRIS reviews Anna X at VAULT Festival. Here is a play for the social media age: a frenetic rollercoaster ride of carefully curated Instagram updates, magazines..
SOPHIE PARKER reviews UCOpera’s Libuše at the Bloomsbury Theatre. University College Opera masterfully presented the British premiere of Bedřich Smetana’s 1872 opera, Libuše, at the newly refurbished..
MADDIE DUNN reviews Freak at the Bloomsbury Studio. UCL’s Viva La Vulva is a group consisting primarily of medical students who campaign to raise awareness..
SOPHIE PARKER reviews UCL Musical Theatre Society’s production of Sweeney Todd at the Bloomsbury Theatre. The character of Sweeney Todd first entered the public consciousness..
THEA NOWELL reviews the UCL Societies Showcase Night at the Bloomsbury Theatre. First opening its doors in 1968 as the Central Collegiate Building Auditorium, The..
CHLOE TYE reviews Phaedra I— at Tristan Bates Theatre. Phaedra, the story of a woman tormented by Aphrodite into desiring and pursuing her step-son, was reimagined in..
PHOEBE GARTHWAITE reviews Hear Me Howl at VAULT Festival. Lydia Rynne’s Hear Me Howl, directed by Kay Michael, was a one-woman whirlwind of comedy and..
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