ELLIE LACHS reviews Faithful Creatures at Camden People’s Theatre. Isobel Macleod’s Faithful Creatures, directed by Evie Robinson, is a revelation. It bravely strides away from..
SOPHIE CUNDALL interviews the director and producer of the upcoming production of A Clockwork Orange at the Bloomsbury Theatre. Since March last year, Srishti Chakraborty (Director)..
LAI YAN WONG reviews Sticky Door at VAULT Festival. Katie Arnstein’s heartfelt account of her personal life in her autobiographical solo show Sticky Door leaves..
ELLIE LACHS reviews Swive [Elizabeth] at the Sam Wannamaker Playhouse. The Sam Wanamaker Theatre’s latest production, Swive, directed by Natalie Abrahami and written by Ella Hickson,..
SELMA REZGUI reviews Revolt. She Said. Revolt Again at Bloomsbury Theatre. A series of straws that break the camel’s back. Alice Birch’s Revolt. She said...
JAMIE COTTLE reviews Emma Frankland’s We Dig at the Ovalhouse. And they certainly dug…deep. Before entering the Ovalhouse theatre, I was unsure of how much..
PHYLLIS KOEHLER reviews Shotgun Carousel’s Red Palace at The Vaults. When entering the musty dungeons of the Vaults Theatre, one might easily feel oneself transported..
VIVIENNE LEECH reviews Alfred Taylor Gaunt’s Derrière on a G String at Sadler’s Wells. Performed at Lilian Baylis Studio, Alfred Taylor-Gaunt’s camp extravaganza Derrière on..
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