MAYA WILSON AUTZEN contemplates the sanctity of the mother-daughter relationship, and how this resonates in the literary works of Mary Wollstonecraft and Mary Shelley. ‘The..
SHANTI GIOVANNETTI-SINGH reviews Bong Joon-ho’s 2003 feature film, Memories of Murder which was recently screeened as part of Camden Markets open air cinemas, done in..
LILLIAN CACCIA reviews Electronic: From Kraftwerk to the Chemical Brothers at the Design Museum and muses upon her nostalgia for the club scene in times..
VALERIA ROCCA explores the misrepresentation of teenage girls in cinema. Since the 1980s, thousands of Hollywood teenage-dramas have exploited the same archetypes and storylines in..
DAWID AKALA reviews this year’s International Booker Prize winner, Marieke Lucas Rijneveld’s remarkable yet disturbing debut novel, The Discomfort of Evening. When 28-year-old poet Marieke..
PERA CUMUR discusses the downfall of Californian label Burger Records, and the distorted legacy of groupie culture. In July 2020, the emblematic Californian label and..
AMANDINE COUOT-GARIBAL reviews Aubrey Beardsley at Tate Britain. In the midst of the pandemic, there is something strange about stepping into the exhibition of an..
AFIYA AMESU shares her thoughts on the recent resurgence of the Black Lives Matter movement, exploring the damaging nature of racial ‘colour blindness’. The Black Lives Matter movement..
MATILDA EKSTRÖM reviews Christopher Nolan’s 11th feature Tenet, exploring its gender representations. Christopher Nolan’s new film Tenet is grand and engaging, especially in a time..
RUBY ANDERSON reviews London Grads Now. at Saatchi Gallery and considers the implications of graduate shows being cancelled. For people undertaking creative degrees, the final..
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