RUBY ANDERSON interviews ZLATA MECHETINA, site manager of Ziferblat London, a newly founded creative community hub and coworking space. They discuss the future of the..
JEAN WATT reviews the Bruce Nauman exhibition at Tate Modern, detailing how this bombardment on the senses is simultaneously humorous yet disarming. Over and..
ALEX HEWITT reviews Adrianne Lenker’s recent releases, songs and instrumentals. 2019 was a banner year for Adrianne Lenker’s band, Big Thief. They released two of..
Review: Refugees: Forced to Flee at the Imperial War Museum
IZZY DAVIES reviews Refugees: Forced to Flee at the Imperial War Museum, considering implications of voyeurism and sensationalism in the representation of such individuals. Right..
DAISY GRAY reviews Working Men’s Club’s debut album. The self-titled debut album of Yorkshire-based band Working Men’s Club is an absolute synth delight. Momentum is..
ANNA DANG reviews American writer Avni Doshi’s novel, Burnt Sugar, which has been shortlisted for this year’s Booker prize. There’s nothing quite like a..
SolidariTee is a student-led charity which aims to raise awareness and support for the refugee crisis, by offering grants to NGOs who provide legal aid..
where’s the frame? describes itself as a one-stop URL for discovering and learning about vanguard art. Providing a unique understanding of, and affiliation with, the..
BARNABY HOWE reviews Jeff Barnaby’s horror film Blood Quantum (2019), exploring its parallels to contemporary racism. Zombies, it feels like, are a bit overdone at..
TEREZA BLAHOVA reviews Artemisia at the National Gallery, and considers the importance of representing narratives that have typically been excluded from art history. trigger..
Begin typing your search above and press return to search. Press Esc to cancel.
