SHANTI GIOVANNETTI-SINGH reviews Quentin Tarantino’s ninth film, Once Upon a Time… in Hollywood. Lemon Cadillacs, wild-west stars and hippy cults replace pumpkin carriages, princesses and evil..
BRUNO REYNELL reviews Ari Aster’s genre-defying Midsommar. Were it not for its overt title, the gloomy snow-filled landscapes that open Midsommar might tempt us into thinking..
PHYLLIS AKALIN reviews Beautiful Boy, Felix Van Groeningen’s testament to the Sheff’s family story. Based on the life stories of Nic Sheff (Timothée Chalamet) and..
HEATHER DEMPSEY delves into the cult of ‘bad films’ through the example of Tommy Wiseau’s famously mediocre take on the love-triangle. ‘Right, I’m just going..
LYDIA DE MATOS reviews The Favourite, Yorgos Lanthimos’ unruly take on the period piece. The Favourite is an intense deconstruction of what audiences have come..
MAEVE ALLEN reviews Widows, an unnerving heist thriller with feminist overtones. When four career criminals are killed in an attempted robbery, their widows take up..
THOMAS NGUYEN reviews M/M as part of SAVAGE’s coverage of Fringe! Queer Film & Arts Festival. Drew Lint’s M/M is a modern-day tale of obsession. It follows..
THEO MERTEN-MANCER reviews The Accountant of Auschwitz, a documentary about the recent trial of Oskar Gröning, a surviving member of the SS. A study released on..
HEATHER DEMPSEY reviews The Daughters of Fire as part of SAVAGE’s coverage of Fringe! Queer Film & Arts Festival. In The Daughters of Fire, Albertina Carri reimagines..
