MATILDA EKSTRÖM reviews Christopher Nolan’s 11th feature Tenet, exploring its gender representations. Christopher Nolan’s new film Tenet is grand and engaging, especially in a time..
JARVIS CARR reviews Douglass Trumbull’s Sci-Fi Classic Silent Running. Over the past several months, at one point or another, we have all inevitably been faced..
FARIDA EL KAFRAWY reviews Caleb Yule’s documentary, Stories From Silk Island, which follows the lives of children with disabilities on the Cambodian Island of Koh..
PHYLLIS AKALIN reports on UCL’s LGBT+ Network’s Stonewall Screenings, exploring what the selected films can teach us about intersectionality and their relevance to the BLM..
SHANTI GIOVANNETTI-SINGH reviews George Tillman Jr’s The Hate U Give. There is a particular poignancy which arises from works of fiction that resemble reality. Watching..
ALICE DEVOY reviews Oliver Hermanus’s film set on the frontiers of South African Apartheid. ‘You aren’t people any more. You are scabs: flaky, yellow, pus-filled..
FARIDA EL KAFRAWY reviews Philippa Ndisi-Herrmann’s 2018 documentary, New Moon, chronicling her conversion to Islam. What begins as an audiovisual journey, charting the changing landscape and cultural..
ANNABELLE BRAND explores Robert Eggers’ maritime horror, The Lighthouse, through an examination of the texts which influenced it. ‘A thousand thousand slimy things lived on—and so did..
JAGO LYNCH reviews Russian filmmaker’s latest documentary, Aquarela, screened at the Bertha Dochouse and featuring a Q&A with producer Aimara Reques. Aquarela is a film of..
TOMI HAFFETY reviews Rian Johnson’s latest release Knives Out. Knives Out is a refreshing, modern and utterly witty whodunnit which reclaims the tired genre and gives..
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