RUBY ANDERSON interviews ZLATA MECHETINA, site manager of Ziferblat London, a newly founded creative community hub and coworking space. They discuss the future of the..
JEAN WATT reviews the Bruce Nauman exhibition at Tate Modern, detailing how this bombardment on the senses is simultaneously humorous yet disarming. Over and..
Review: Refugees: Forced to Flee at the Imperial War Museum
IZZY DAVIES reviews Refugees: Forced to Flee at the Imperial War Museum, considering implications of voyeurism and sensationalism in the representation of such individuals. Right..
where’s the frame? describes itself as a one-stop URL for discovering and learning about vanguard art. Providing a unique understanding of, and affiliation with, the..
TEREZA BLAHOVA reviews Artemisia at the National Gallery, and considers the importance of representing narratives that have typically been excluded from art history. trigger..
ISABELLA JAKOBSEN reviews the Dóra Maurer exhibition at the Tate Modern, considering how Maurer’s practice is imbibed with the idiosyncrasies of Hungarian artistic production. Does..
JEAN WATT reviews Michael Clark: Cosmic Dancer at the Barbican and contemplates the emotive potential of physicality. I had never heard of Michael Clark until..
MAYA SALL reviews Toyin Ojih Odutola’s exhibition A Countervailing Theory and considers the often inaccessible nature of exhibition spaces. When transitioning from the light of..
MARISA BECIROVIC reviews Among the Trees at the Hayward Gallery and explores how these fantastic natural features should, now more than ever, be appreciated for..
Review: Royal Society of Portrait Painters Annual Exhibition
EVIE ROBINSON reviews the Royal Society of Portrait Painters Annual Exhibition and ponders the effect of the visual exploration of the personal. The ultimate intention..
WILL FERREIRA DYKE visits the Graduate Fashion Foundation showcase in Coal Drops Yard, Kings Cross, noting the difficulties 2020’s cohort have faced. For many fashion..
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