MARISA BECIROVIC reviews Among the Trees at the Hayward Gallery and explores how these fantastic natural features should, now more than ever, be appreciated for..
Review: Royal Society of Portrait Painters Annual Exhibition
EVIE ROBINSON reviews the Royal Society of Portrait Painters Annual Exhibition and ponders the effect of the visual exploration of the personal. The ultimate intention..
WILL FERREIRA DYKE visits the Graduate Fashion Foundation showcase in Coal Drops Yard, Kings Cross, noting the difficulties 2020’s cohort have faced. For many fashion..
LILLIAN CACCIA reviews Electronic: From Kraftwerk to the Chemical Brothers at the Design Museum and muses upon her nostalgia for the club scene in times..
AMANDINE COUOT-GARIBAL reviews Aubrey Beardsley at Tate Britain. In the midst of the pandemic, there is something strange about stepping into the exhibition of an..
RUBY ANDERSON reviews London Grads Now. at Saatchi Gallery and considers the implications of graduate shows being cancelled. For people undertaking creative degrees, the final..
CHRISTINA LIBRI considers tokenism in the art world through the canonical status of Jean-Michel Basquiat. In the past, the Black Lives Matter movement has been..
SARA M. WHITE reflects on Banksy and his communication of dissent. ‘If graffiti changed anything — it would be illegal’ reads Banksy’s mural in Fitzrovia,..
WILL FERREIRA DYKE contemplates Frida Kahlo’s place in art history and her associations with modern feminism. Known for her iconic monobrow and exuberant self-portraits, Frida..
WILL FERREIRA DYKE considers how the experience of viewing art will have changed in a post-Covid world. As lockdown begins to ease, art galleries and..
RUBY ANDERSON reviews UCL Art Society’s Virtual Exhibition, Natural/Unnatural. The theme of UCL Art Society’s annual exhibition could not have been more prudent for the..
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