ABDUL RASHIDI reviews Awolnation’s new album, Here Come the Runts After their most notable hit was hijacked by the now deceased app Vine, Awolnation are..
NATALIE RUSSO reviews UCL Live Music Society’s annual showcase, Rhapsody Rhapsody 2018: A Live Music Show took place at the Shaw Theatre across two nights..
THOMAS NGUYEN discusses the merging of masculinity and femininity in fashion. ‘Fashion reflects the time we live in’ declared Coco Chanel. A powerful tool of representation..
DAN JACOBSON reviews string orchestra Scottish Ensemble’s performance at King’s Place. High school concerts were always a sordid affair. They would invariably begin with a..
Savage Sounds in collaboration with Multi-storey brings you its first showcase of 2018. Where? The Waiting Room, 175 Stoke Newington High Street, N16 0LH When?..
DAN JACOBSON reviews alt rock band Deer Tick’s performance at Islington Assembly Hall Providence-based alternative rockers Deer Tick have always produced musical mosaics of..
ROSEMARY MOSS reviews the multi-musician interpretations of House of Monteverdi at Spitalfields Music Festival Starting at 5 and wrapping up at 9.30, the first event..
With Independent Venue week just round the corner, NAT JONES explores some of London’s best small gig spots. Windmill Brixton Undoubtedly my favourite..
DAN JACOBSON reflects on Margo Price’s 2017 album All American Made and the state of country music. In his illuminating podcast Revisionist History, author and..
ROWEEN RAWAT’S vibrant and detailed illustrations draw numerous influences from mehndi patterns and the Great Wave of Kanagawa, to strong female protagonists such as geishas...
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