STELA KOSTOMAJ explores class origins in film and the phenomenon of poverty porn. When looking at the theme of “origins” in film, an important aspect..
‘India is two countries in one: An India of light and an India of darkness’
ISABELLE OSBORNE reviews Ramin Bahrani’s Oscar-nominated adaptation of Aravind Adiga’s Booker Prize-winning novel The White Tiger. Ramin Bahrani’s phenomenal The White Tiger offers an interior..
Accessible Streaming: The Significance of Independent Platforms
OLLIE DIXON examines how independent streaming platforms support underrepresented cinema. In the wake of the COVID-19 pandemic, streaming is the contentious issue of the..
IÑAKI IRIARTE discusses the nature of reality and spectatorship as explored through Michael Haneke’s film Code Unknown (2000). Mainstream cinema tries to feed you the..
MATILDA EKSTRÖM reviews I See It Differently, a series of short documentaries shown at Bloomsbury Festival 2020. I See It Differently, shown as part of..
RACH LEONG reviews the anxiety-inducing dark comedy Shiva Baby. ‘A Jewish girl, her sugar daddy and her ex-girlfriend walk into a funeral service’ has to..
BARNABY HOWE reviews Jeff Barnaby’s horror film Blood Quantum (2019), exploring its parallels to contemporary racism. Zombies, it feels like, are a bit overdone at..
ISABELLE OSBORNE reviews the documentary David Attenborough: A Life on Our Planet, which was recently released on Netflix. David Attenborough has had an incredible..
ANAMIKA NORMAND and CHLOE BELLIS review Sébastien Lifshitz’s documentary Little Girl which premiered in the UK as part of Camden Market’s open air cinemas, done..
SHANTI GIOVANNETTI-SINGH reviews Bong Joon-ho’s 2003 feature film, Memories of Murder which was recently screeened as part of Camden Markets open air cinemas, done in..
VALERIA ROCCA explores the misrepresentation of teenage girls in cinema. Since the 1980s, thousands of Hollywood teenage-dramas have exploited the same archetypes and storylines in..
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