CHARLES STEVENSON, from Fossil Free UCL, recounts the recent activity of the society amidst signs that UCL might finally be divesting. Earlier this term, climate..
JAMIE HARDIE reviews Janet Productions’ surreal comedy at St Saviour’s Vicarage. In storytelling there is the concept of the twist: a narrative that sets up..
JAMIE HARDIE reviews UCL Drama Society’s Eigengrau and Girl in Yellow Raincoat at the Bloomsbury Studio. Drama Society’s term three double bill in the Bloomsbury Studio was a fitting..
ELLA WILSON attends the first press launch for the National Theatre’s annual River Stage Festival. It’s a sunny day on London’s Southbank, and sprawled in..
TOBY GOODMAN puts forward the case for the legalisation of incest. Incest – the sexual contact between two individuals who are biologically related – has long..
FARIDA EL KAFRAWY reviews Adam Sobel’s documentary as part of SAVAGE’s coverage of Human Rights Watch film festival. The Workers Cup is a heart-warming portrait..
FARIDA EL KAFRAWY reviews Raymond Depardon’s documentary, which follows patients at a French psychiatric hospital. A young man and psychiatric patient sit across from a..
FINN BURGE looks at the London Shakespeare Workout’s Prison Project and what it teaches us about the unitary power of theatre The London Shakespeare Workout..
MO-JAI MCKEOWN reviews Lynne Ramsay’s psychological drama. A fractured rumination on violence and revenge imbued with tangible feelings of regret and shame, Lynne Ramsay’s adaption..
MONTY SHIELD looks at the historical importance of Malet Street as a space of student protest. On dreich winter days, Malet Street stands largely deserted, save..
ELEANOR LEE talks about her experience volunteering with The Hackney Pirates, and the crucial role of such charities in the face of cuts to education..
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